Palette: Introduction



Palette 1: (l)Overture (Impressionism/Post-Impressionism)



Palette 2: Don't Bite (Analytical Cubism)



Palette 3: Won't Lovers Revolt Now? (Synthetic Cubism)



Palette 4 and 5: Pigs/Orson Medley (Expressionism)



Palette 6: Whoever You Are (Futurism)



Palette 7: Rip in the Evening (Suprematism)



Palette 8: Circus Stomp (Dada)



Palette 9: Clockwork Horses (Surrealism)



Palette 10: Never Odd or Even (Constructivism)



Palette 11: Compulsion (Abstract Expressionism)



Palette 12: Now Sir a War is Won (Pop Art)



Palette 13: Do Geese See God? (Fluxus/Performance Art)



Palette 14: Crimson (Minimalism)



Palette 15: Bar Crab (Video Art)



"Palette" is an experimental collection of short films by Mark Garvey to accompany songs by Bill Hooper.

Each of the short films is in keeping with the style of an individual modern art movement and uses the subjects, themes, materials and techniques used by the artists associated with the movement.

"Orson" was the first video made for "Palette" and was completed primarily to feature onscreen on a TV in "Bucket".

"Compulsion" was the second video completed and the majority of the footage was shot in Dorset without an intended project in mind simply to justify a social event.

Following a rough edit of the Dorset footage to the track "Compulsion", Mark decided to throw paint all over it, and then thought that it looked similar to Abstract Expressionism and had the idea for the "Palette" collection.

The song titles "Won't Lovers Revolt Now?", "Never Odd Or Even", "Now Sir, a War is Won", "Do Geese See God?" and "Bar Crab" are all palindromes and are all taken from Bill's EP "Palindrones".

"(l)Overture" is actually a song from the visual concept album "Branches".o

The video for "Don't Bite" was improvised: Clint's appearance was entirely due to the fact he happened to turn up for a coffee in the middle of filming.

If you examine closely, "Don't Bite" actually features Ludlow and Ian dancing like robots in green cardboard costumes.

The music linking "Pigs" and "Orson" is a section of "Canopic Jars": an abstract collection of noise by Bill.

Mark and Bill had a lengthy debate about the song title "Orson" due to a popular band having the same name. Bill's insistence to retain the name was due to "Orson" being the name of the God character from "Mork and Mindy".

"Rip in the Evening" reached final cut with Mark wearing a Wolverine costume in a house full of drunk friends dressed as super heroes on New Year's Eve due to the self-imposed deadline of completion by the end of 2006.

Early edits of "Circus Stomp" featured a campaign to get Bill elected to Prime Minister. Mark intended to continue with this beyond the video as an ongoing conceptual work but Bill wasn't happy and so it was removed.

A short and simple version of the song "Clockwork Horses" originally appeared on the "Canopic Jars" collection. Mark suggested to Bill that it should be transformed into a more fully formed song and so Bill re-recorded it.

"Clockwork Horses" was the only track specifically written for "Palette" and with the designated art movement in mind.

The lyrics for "Never Odd or Even" are actually about Mark. This came about due to Mark's regular drunken insistence that Bill should write a song about him. If you listen carefully to the lyric "I can't work you out", Bill is actually singing "I can beat you up".

The sequence in "Compulsion" in which Mark paints a wall actually took 3 hours. Mark's bedroom has never fully recovered from this.

The video for "Now Sir, a War is Won" was originally planned as being for an altogether different band. Following Mark's cancellation of that project, the backgrounds already prepared and the scalpel cut collage technique made sense to apply to "Pop Art".

Mark has never met Kate Hutchison (the girl banging her head on the wall in "Do Geese See God?"). Ian already had this recording and it was projected onto a wall.

"Crimson" is the only video from "Palette" that didn't involve using another person in any way during the process. It was entirely improvised and completed in 2 days.

The track "Crimson" is a re-mix of one of Bill's songs for "Cling-film".

The DVD of "Palette" features a hidden video based on Conceptual Art.

A video for "Lily Re-wires the Sun" was half completed in the style of Postmodernism but eventually dropped with another more suitable idea in mind.

Tests for Fauvism, Op Art, Letterism and Kinetic Art were all carried out.

A video in the style of Gilbert and George was planned but dropped due to the concern that if videos in the style of artists were to be introduced to the collection then the project would never finish.

The "Palette" DVD inlay sleeve was prepared by Tristan Cloke.

A consideration is to make "Palatable": a second collection (a sequel?) and pay homage to some of the movements notably missing from "Palette".

Palette is written, directed, produced, photographed and edited by Mark Garvey.

The songs (including lyrics) are written, produced, performed and recorded by Bill Hooper.

Featured paintings, drawings, sculptures, collages, photographs and animations by Mark Garvey.

Production Assistants: Tristan Cloke, Clint Henderson, Paul Ludlow, Ian Tucknott.

Additional lyrics, vocals and guitars on "Circus Stomp" by Alexander Wilkinson.

Additional vocals on "Pigs" by Alexander Wilkinson and Paul Woodcock.

Special props constructed by Emma Sharman of Antix Studio.

"Do Geese See God?" video co-produced by Ian Tucknott.

Palette features David English, Mark Garvey, Clint Henderson, Bill Hooper, Paul Ludlow, Ian Tucknott, Paul Woodcock and Simon Woodcock.

Palette also features appearances by Thomas Brain, Liz Bruce, Tania Chapman, Tristan Cloke, Chianna Craigen, Rosalie Game, Emma Garvey, Gid, Kate Hutchison, Katie Lawrence, Tranq Lobo, Jamie Norman, Ruth Owen, Mia Peronus, Emma Sharman, Melanie Shevlane, Gareth Tuckey and Trixie Tuckey.